kein problem
sieht nur leider nicht so gut aus mit einem neuen clan-album aber ich finds gut, dass ghost ehrlich ist und nicht so tut, als wäre alles bestens und das album würde bald kommen...außerdem scheint er wirklich daran interessiert zu sein, dass das nächste-clan album (falls es kommt) dann auch RICHTIG gut wird. aber dass er die "W" totally whack nennt, versteh ich nicht, ich find das album eigentlich sehr geil...

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hab grad was gefunden wusste nicht wo rein deshalb hier rein^^

http://www.mtv.com/bands/m/mixtape_monda...?headlines=true

da steht was über ghostface sein armreif birdy ding bling bling uiemlich weit unten

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Ok dann halt ne Weltkugel. Fand das ganze aber eh etwas übertrieben. Bin mal gespannt wíe dick das ding jetzt ist?

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bei def jam f 4 ny ist das ding auch übergróß

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Ein weiteres Interview mit dem Ironman!


Ironman Vs. the Devil: An Interview with Ghostface

With no lack of talent among the squillion members and affiliates of the Wu-Tang Clan, the most important rap group of the '90s, and to this day still one of the most original movements in hip-hop, Dennis Coles aka Ghostface Killah has received acclaim as the most creative and successful MC of the whole d**n crew. He held down his masked self on the Wu's debut in 1993, and was the first rapper to cry on tape for the group's overblown second album, a double CD that almost killed the hype thanks to the group's commitment to the chorus and hook-free MC-based old school style. Ghostface's first record, Ironman, was relatively slept on (compared to Method Man's Tical), but his supporting role on Raekwon's debut, Only Built for Cuban Linx, assured that his status as a master storyteller would be acknowledged. Rae and Ghostface were so well-suited as a duo that nostalgia for those "good ol' days, good ol' days" has kept Rae's fans waiting for a sequel (due next month), while propelling Ghostface into the spotlight. His second record, Supreme Clientele, is considered one of the greatest rap records ever made, influencing everyone from Kanye West to MF Doom.

While most critics suggest that Ghostface is the strongest member of the Wu today, the writing was on the wall during that tough period when the underappreciated Bulletproof Wallets came out. Despite the lack of attention to that album, he had the respect of the industry. Enough so that he left his label Epic for the greatest hip-hop label on earth: Def Jam. And while the rest of the Wu was suffering from a lack of interest even while the albums remained strong, Ghostface was somehow gaining a major second wind. In 2004, he released The Pretty Toney Album, his second masterpiece, a record with so much energy and flavor that it stands as a true classic. Ghostface just released his fifth album, Fishcale, and if anyone thought Ghost's creativity was at its peak with Pretty Toney, one listen will confirm what his true fans have known all along: Ghostface Killah is the best MC in America.



You have like 16 albums coming out this soon, right? You've got your solo record, and the thing with MF Doom...
Yeah. It's a bunch of stuff coming. Yup.

When do you want to have the MF Doom collaboration out?
It's like, whenever. f**k, they can shop it back to back. You know, it just goes out there.

What was it like doing that with Doom?
It was cool. I mean, Doom makes real good beats. I did a lot, like five-six songs for him. That was real nice there.

You know that your fans have been wanting to hear that collaboration for a while now.
Doom got a lot of underground fans who are real loyal to him, and they been waiting for a real Metal Face meets Ghostface.

What's the situation in rap right now? Are you happy with the scene the way things are?
You know, rap is rap. Everything takes time. Things change for whatever reason. I think it'll evolve into something else. Right now, the South got it. They doing real good with it right now. They getting paid off of it, and they on top. But that's gonna calm down. And maybe it'll come right back to where it originated from. Because I guess it already hit everywhere else inside the US. From the West Coast, to the Midwest and Master P's area and all that stuff. It's still cool though.

The South has a completely different lyrical style. The kind of lyrics you write, taking your time, coming up with original lines, is a lot different. Do feel you represent a different style from the guys who are talking about changing lanes and drinking the drank and making money? No offense to the South, but it's kind of the same story over and over again, and you're always change it up a bit.
I mean, I'm an artist, you know what I mean? I'm a real poet. When I write music I like to do different things. I don't like to stay on one subject. I like to change my flow, go here and here, just to test it. I'm not saying everything I do comes out right. That's just what I like to do. But that's just what it is right now. A lot of people like the South stuff. Hip-hop is universal so you cannot just say one thing is wack.

I agree. It's just with your tracks I want to listen to them three-four times in a row just to understand all the things you're saying in your rhymes. I don't know, whenever I go into Wendy's now I think of that line you came up with for the track "The Drummer" off the first 718 mixtape: "When Biggie died, they came out with Biggie fries."
Right. They did.

Yeah, I know. You think that really was a tribute to him?
I don't know. But when he passed away, they did come out with Biggie fries .

I thought that was maybe the best tribute you could have written.
Right. That was crazy right there. But you know we miss him like that, though.


Ghostface Killah
multiple songs: MySpace

Do you spend a lot of time writing, do you work on your lyrics a lot, or how much is it freestyle?
I don't write as much as I used to. I'm not really that settled, Jack. When I'm just comfortable and can really sit down and write all day, then I will do that. Right now I'm just too busy running around doing this, doing that. I write when I have to write. Instead of just doing it when I want to do it.

So what do you do? Do you go into the studio and just start rapping after hearing the tracks? What's the way you do it these days?
You know, I go to the crib, you know what I mean, and I put the box on, and put the CD in. You know what I mean, just right there. I don't write that much in the studio. I don't like to feel like I'm rushing. Sometimes with me, I'm a slow writer. I don't write as fast as everybody else.

But it shows. Your words are carefully chosen.
Yeah, sometimes. It depends on the state of mind I'm in. Sometimes I might overthink it. And other times I really did think about a lot of stuff. Yeah so, it shows. Everything do come out, like, banging banging. It's like back in the day, playing basketball. Sometimes your jump shot is on, sometimes it's off.

And either way, you just keep doing it.
Exactly.

What are you looking for in beats these days? You're still really loving the samples?
Yeah, I love samples. I like fly samples. I like even music that's just music. That sounds real clear and loud and just sounds chunky. I love music like that. I love a lot of old school. Real real real old old old samples that just sound real fly. I love those. They been the best to me.

Do you sometimes wish you were from that time? Or do you just like using the music from back then?
Sometimes I wish I was. And been a singer rather than a rapper. Sometimes I'd rather have been a live singer from back then, getting busy.

Do you come from a musical family?
My mother does sing like that. She never made no records or nothing like that. But she used to have them old, old records and have little parties at the house and play that. And from me growing up, that's what I always loved. Lot of kids nowadays, they parents don't play that type of music. They listen to the radio, but they don't really know the soul. They might not even understand the music I make. And if they do, the soul is in them, but it might not have been brought out of them, you know what I mean?

How old were you when you started rapping?
I really started writing down rhymes when I was fifteen. Back in '85, yeah. But I loved rap before that. I never really wrote nothing but I might rap a little off the top of my head, but I was little then.

Is that when you started to hang out with the rest of the guys from the Wu-Tang Clan?
This was before that. We probably met up around '87, '88. But then in '92, that's when we all came together for real.

I remember. Those were big days for hip-hop. Wu-Tang really changed things. But still a newer track like "Run", from Pretty Toney, is just as important a track for you.
That describes what goes on in the hood, though. You gotta run. You see if it's the cops, or handling people nowadays, sometimes you gotta be out -- before niggas come and claim something on you, or shoot you in the back. You gotta bounce on them and nuts, especially if you're dirty. You can't be around, you gotta just bounce.

Do you feel a responsibility to give advice to people who are going through what you've been through.
These are streets right here, man. Especially coming from the hood. And being raised in the streets. I watch out for everything, you know what I mean, and nuts like that. Me being in the streets made me the person who I am right now. In a way, I'm kinda glad I went through what I went through. 'Cause I see things from a 360-degree angle, not just one angle. I had a chance to be around thugs and street people, and the corporate side of things. And other countries and other cities. I look at everything as it really is, not just what it appears to be. And I'm thankful for me going through what I had to go through. I probably wouldn't have met the dudes I met. My staying power would have been a lot different. My flow would have been a lot different. For every action there's a reaction. But for the people out there, just hold your head up, and keep your eyes open. Have faith in whatever you do, and have faith in God first. Always put God first. Always kick it with him. Whether it's praying or having a talk with him.

...weiter gehts im nächsten Post.

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Last.FM

Were you always religious?
I always loved God. I had my times when it felt like: "Yo, what's going on, is it really real?" But the other side of me was always like, there's a creator who's inside everything. And I had to submit. You gotta submit to the will of God. He's the creator. He gave you life. With His power, He said, "Let it be," and it was. In very few words. He didn't have to explain it to nobody or nothing. You always going to have to bow down. That's what we gotta do nowadays. We leave him out of our minds, and we wake up in the morning without even giving praise, and going to bed at night without even giving praise. We the ones wrecking apart ourselves. He allows you to wake up. And he got a death date for you, too. We gotta stop being like we don't know what's going on. So blind to the fact. We should be more conscious of the creator. Just because I got to eat today, I fed myself, but that had to come from somewhere. I never forget those little things. You can cross the street and not get hit by a bus or a car, but you ain't the one who did it. It's like yo: It was angels who was protecting you. You made it across the street, or had a safe flight or whatever whatever. What I'm trying to say, it's not you. Whatever you do, you live his talent. This nuts is a God-given talent. But look at that. Sounds silly, but naw, nigga, it's GOD-GIVEN TALENT. You feel me? I look into the depths of things. My eye is open to a lot of things. That's Ghostface, that's the person I am right now. I think people need to be more conscious of their surroundings and their beings and their thinking, know what I mean?

I've heard you do a bit of humanitarian work in Africa. Are you still doing that?
Yeah, I send money out there every month to feed the babies. Make sure they eat every month. That's just me doing my time. I'm a servant for God. That's my duty. He gave me life. If I can't do nothing for Him in return, I'm a sucker then. Not worth even being born if I'm not respecting my creator. I don't do that then I'm not respecting even the power that gave me the money to go out and do what I do. It's not about me. If it was about me, I could care less. It's my family and the people that surround me, G. And that's what I'm here for. Everything else above that is just gravy.

Sometimes with the language in rap music, people might think it was ungodlike. What do you think drives the language in rap music?
Music right now is like the devil. Everything you hear inside there is negative.

But you have to be part of that negativity.
Yeah, to go ahead and make some money, and try to sell some of the f**king records and feed your babies. Because once you start acting like you coming with something real real nuts ... look, I know what I'm doing. I can write the most dangerous song, and ask God for forgiveness. Because I don't really want to do that, but that's how I got to survive right now.

It's also representing a reality for many people.
Right. I been through what I been through. A lot of niggas talk that gun nuts, but niggas ain't out there doing that. Because you know what? If you was still selling a bunch of drugs and doing that, you would have been got locked up, nigga. A lot of niggas who was doing that, are in jail. Or they smart about it. It still goes down in the hood. Niggas still getting money, but it ain't like what it used to be back in the eighties when I was getting money.

What happened?
The game changed, G. More cops ... after Guliani, when he came in, he smashed a lot of nuts up. That's how it is right now. That's why niggas got to go out of state to get their money.

You're not living in Staten Island anymore?
Naw, I live wherever I leave my hat. I really don't got a home. I live on the streets, man.

I remember seeing you in the Scarface DVD documentary, and it looked like you were in Miami when they filmed that.
Yeah, I think I was.

You still have a place down there?
Yeah. Still out there. I'm everywhere, you know what I mean. I could be in the garbage. Word. Sometimes you gotta go back there and struggle. I'm a servant, you know. I work for the hereafter. This world right here don't mean nothing to me.

You've got a lot to do in this world before you leave.
Of course. So that's what I'm working for. This is just a trial. People don't really understand that this is not really the real world. This is the imitation world. This is the illusional world. This world determines how you gonna live in the hereafter. After God take your life. As much nuts as you done did here, foul nuts, that's gonna be held against you in the court of law on the judgement day.

What are you most trying to avoid in this life then?
The devil, man. Just try to walk a straight path. God knows the heart of all people. Even if you can't do what you feel, you're still accountable as if you did it, because that was your intentions. If you could just stay away from negative things, and walk the straight path, and try to please Him as much as you can by trying to take care of people who don't have, feeding them, giving them food and shelter. Praying every day. He loves things like that. And not falling victim. So if I could just do that, and take care of my health: I'm good. Yeah, I'm good. Take care of my kids. I say, "God give me whatever you got to give me. Let me be your servant. Use me as a tool." So that's where my mind is at. As opposed to '95 when I was out there beating a lot of rappers up and punching them in they faces. Time had to change. You can't always get stuck in that thing, because I know if I kept going in that route, I could have got seriously hurt.

Rap is not always a game, really.
Of course. Niggas get killed. And once somebody fears you, they're liable to do anything to you. You might do something to somebody, it might be two years and it comes right back on you, but you done forgot where it came from and what you had did. I didn't want to wind up dead, or in jail, and stuff like that. Plus I'm a grown man. How long you going to keep doing the nuts you doing and you're a grown man with kids? It's like come on, nigga, you can't do that no more.

You feel like you've grown up a lot?
Because of my beliefs, man, and my faith. I can't stay a kid forever. I can hang around them. But I got responsibilities. I can't do what you do. I gotta do what I do. If I had no responsibilities and I was young, aight, then I could move a different way, like when I was 25 or 23 and all the other nuts like that. I can't do that. Those years are left and gone. And that's it.

But when you're on a track, you're ageless. How do you keep up that creative energy while your life changes?
I keep around me a lot of young people. You must. That's the only thing that's going to keep your sword sharp. You must go back, because the power is in them. You gotta go ahead and listen to them and hear how they coming, and that's what keeps my youth.

That's why you're hanging out with Trife and the rest of the Thedore Unit.
I gotta do that. They're my reflection. They're my youth. I gotta go back and look at them. I must look at them and learn from them. Who says that I can't learn from them? Like father, like son. It's like, yo, the same nuts. That's what keeps you out there. I don't want to become an old-school rapper, where it's like: "Oh, nuts, he lost his flow completely." Some other rappers I know, it was like they was nice, it was mega-nice back then. But I want to still be the greatest rapper today.

What's happening with your biography? I heard there was going to be a biography of you called Iron Man.
I don't even know. I heard about that. Right now I know as much as you know.

And what about the movie? I heard you were making a movie.
Yeah, that's still in process. We should maybe start filming at the end of this year.

You're writing screenplays.
Yeah, you know. It's another way to stay creative.

Before I let you go, I really want to know where you got that crazy gold eagle you wear on your arm sometimes?
That was a bird right there. That was a crazy eagle I had somebody make for me. It's a bangle. A really big big bangle. I'm into big bangles. I always like big chunky jewelry. That's my character. I like big chains and all the other stuff like that.

It's a great piece.
Thank you so much, G.

thx @ wu-international.com & www.popmatters.com

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Last.FM

In der neuen Vibe gibt es 6 Seiten mit Rae & Ghost. Hat das jemand?

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Ich hab das einscannen von dem Juice-Interview jetz ma übernommen...

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Champ Preezy

Wu-Famnatic Battlechamp 2K6 + 2K9

danke fürs scannen!
recht interessantes interview, aber die antwort auf die frage, ob er noch viel kontakt zu den anderen membern hat, klingt nicht allzu vielversprechend...

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yo vielen dank...habs auch gelesen

hast recht travis...auch wenn man hört raekwon wollt da ned warten usw...aber naja er wird wohl das dickere album haben wenn man den leuten glauben kann

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Hier gehts zum Interview...





Wenn die Klügeren immer nachgeben, regieren die Dummen die Welt!!!

big thx prince...gutes interview

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Was INs arbeitet an nem buch und ner DVD?????
Ich glaub ich fall in Ohnmacht!!!

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ja, und das album erwähnen sie dafür überhaupt nicht...keine ahnung woher die ihre informationen beziehen?!


Und gleich noch ein neues Interview, diesmal mit AVC:

	Interviewed by Nathan Rabin May 17th, 2006 When Wu-Tang Clan exploded onto hip-hop with 1993's Enter The Wu-Tang (36 Chambers), rapper Ghostface Killah was overshadowed by the even-more-colorful likes of Method Man, Ol' Dirty Bastard, and mastermind/super-producer RZA. Ghostface's 1996 debut Ironman was well-received, and his numerous lyrical assists on Raekwon's Only Built 4 Cuban Linx helped make it an instant classic. But Ghostface didn't fully escape his groupmates' shadows until their golden age had passed. Three memorable albums followed Ironman, and Ghostface recently released the mind-bending, psychedelic Fishscale. He also recently addressed 36 questions from The A.V. Club—very, very rapidly. The A.V. Club: What's your favorite part of touring? Ghostface Killah: Nothing. Just performing. AVC: What can you say about the new album? GK: What do you want to know about it? AVC: What was the making of it like? GK: It was all right. It was like any other album. You get the beats, you write to them, you go in the studio and lay it down. Hopefully a song comes out sounding good. If it comes out sounding good, you put it to the side with the rest of the other good ones, and you try to decide which ones you're gonna use on the album. AVC: You worked with some pretty big producers on the album, like Pete Rock. Did you meet with them, or work together on the tracks? GK: Nah. One of the guys at Def Jam would just come and give me beats, and I'd just go through a bunch of beats, and that was it. I met my man MF Doom on the road, somebody gave me some beats from him, and that's how I got his beats. And that was it. AVC: How's the album with MF Doom going? GK: It's going great. I gave him like, five or six songs, and I'll do more songs with him, so we can complete that album and that'll be it right there. AVC: Is it true that you listened to hundreds or thousands of beats for The Pretty Toney Album? GK: Yeah, because I didn't really have that many good beats coming my way. I'll do that once in a while, where I'll go through a bunch of beats, see what I want to use, what I'm not gonna use. A lot of people send you garbage and you just listen to their CD for nothing. That's it. AVC: The Pretty Toney Album was credited to Ghostface, and Fishscale is credited to Ghostface Killah. What's the difference? GK: It don't even matter. It's just names. People always get it twisted, you know, "Is this the Ghostface Killah?" Man, it's whatever-whatever, you can name me Shithead if you want. I don't give a fuck about all that. It's real, man. A name is a name, and I make music. My niggas know my voice even without the name. That's what it is. AVC: Why put the album with Doom out on Nature Sounds instead of Def Jam? GK: I don't know. That's Doom's album, that's not mine. That's Doom's thing. I'm just running with him, whatever you want to do. I don't care, he could put it out on God's Records. Whatever-whatever, man. As long as it's out. AVC: Will the Wu-Tang Clan be working on an album anytime soon? GK: Next year, sometime. We just gotta pick the months when we want to record, and it'll be on. AVC: Did you get a chance to know Jay Dee when he worked on your album? GK: No. I haven't met Jay Dee. I haven't done nothing. I [just] listened to his beats. I liked them and I just wrote to them. I did it and that was it. I wished he had had a chance to hear what I did to his music. AVC: You've criticized the song "Laffy Taffy" in concert. Do you have something against Southern hip-hop, or just that song in particular? GK: I don't got no problem with nobody. I was just telling people, this is what you all grew up on, this is what you all are stuck on right now, but this is what I dig, this is where I come from, right here. So I threw on "Eric B Is President." It's two different rap eras. It just happened to be that I got ahold of that record. AVC: Who are your favorite rappers? GK: A lot of old-school rappers. Rakim, Kool G Rap, Big Daddy Kane, Biz Markie, Slick Rick, Doug E. Fresh, Public Enemy, even NWA when they came out with their first album. Brand Nubian, A Tribe Called Quest, Gang Starr. All the Nice & Smooth. The whole list. It just goes on. The world was really, back then, rockin' the Fat Boys, Run DMC, Special Ed. Back then, everything was cool. Steady B from Philly. It was all good. All the old school. The whole Juice Crew. Roxanne Shante, EPMD, MC Lyte. AVC: You've worked with a lot of great producers. Are there any that you'd like to work with that you haven't? GK: Marley Marl. Probably DJ Premier. Dr. Dre here and there. Pharrell. That's about it. AVC: The press release for Fishscale says you stopped smoking weed two years ago. What was the thinking behind that, and how has it worked out for you so far? GK: Nothing. Sometimes you gotta just chill. You gotta chill your thinking process. Mine's just a little more clear now. But it's all good. Sometimes you gotta relax some stuff you've been doing for a long time. AVC: Do you think it affected the sound or the vibe of the new album? GK: I don't know, because I always had the sound in me. It's more or less if I get the music in my head, I know how to get the vibe in the sound. Other than that, it is what it is. AVC: Why do you think Bulletproof Wallets wasn't as well-received as your other albums? GK: Because it didn't get marketed and promoted right. And I got a lot of songs tooken off of it. That's all. AVC: Is that part of the reason you went to Def Jam? GK: Yeah. AVC: Have you been happy with Def Jam so far? GK: Yeah. AVC: What attracted you to the character of Iron Man? GK: I was Tony Starks [sic.] first, and then Tony Starks and the Iron Man is the same dude, so that, I guess, that could be the other side of me. That was it. AVC: Are you into comic books? GK: No. I just had this shirt and it was a Tony Starks shirt, and when I put it on… that was it. It just felt like, "This is what it is now." AVC: You're one of the few rappers who have their own talking doll. How did that come about? GK: I don't know. Some people in California just wanted to do a doll. We agreed to do it, I told them how I wanted it, with the gold on and the robes and everything, and we made a commitment and both agreed, and the action-figure doll should be coming out soon. AVC: What does the Ghostface Killah doll say? GK: I can't even remember. It was saying a few things from a lot of old records. I can't really remember word for word what it was saying. AVC: You've been touring with M-1 from Dead Prez, who's very political. Has that influenced you at all? GK: No. I'm just me, man. You know what I mean? What Dead Prez is saying, I already know, and I'm for the cause. If you hear more from him than me, that's just what it is, but at the same time, I understand everything the brothers are saying, and I'm for the same cause that they stand for. AVC: A lot of rappers are acting these days. Would you like to do some acting? GK: Pretty soon, if God allows me to. Then I'll be good. AVC: What do you think is the biggest problem with hip-hop today? GK: A lack of originality, that's it. Everybody's coming out the same. AVC: Do you think that's changing? Is there anyone coming along right now that you're excited about? GK: No, fuck hip-hop. I ain't feeling that shit right now. I don't even listen to hip-hop. I just do this shit because I gotta feed my family. AVC: What do you listen to? GK: I listen to shit. I listen to old music, man. AVC: Like soul music? GK: Yeah, soul music. AVC: Who are some of your favorite soul artists? GK: [No answer.] AVC: You were one of the first Wu-Tang Clan members to work with a producer other than RZA. How did that come about? GK: Nothing, man. You gotta do what you gotta do. RZA don't gotta be making my beats all day. You gotta fuck around, spread your wings. RZA got fuckin' too many artists to put out on his own. I ain't gotta use him every time I make an album and shit. Yo, any good beats will do. There are mad people out there with good beats. That's like saying that you gotta fuck the same bitch all day. There's mad bitches outside, mad pussy out there, that's better than the pussy that you got. C'mon! AVC: So variety is the spice of life? GK: Yeah. AVC: What's your writing process like? GK: It ain't nothin', give me some good music, give me some peace of mind, somewhere it's quiet and decent, and that's it. I'm ready to write. AVC: You just need some concentration? GK: Yeah, and a clean place or whatever. That's it. AVC: Why do you think the public responded to Wu-Tang Clan the way it did? GK: We were just different. When we came in the game, we were different. Niggas never heard us before. So anything that's new that you never heard before, a lot of the times it gives the people a new vibe, a new rhythm, like all this South shit coming in right now. They love it 'cause they've never heard it before. That's all it is. AVC: What was your life like before Wu-Tang Clan? GK: I don't know. I was just like any other street nigga. I was robbing niggas, knocking niggas out, shooting niggas. That's how it was before Wu-Tang Clan. I'll do it again if I got to.

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thx für beide interviews!!

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The Good Die Young And The Hard Die Best
Rest In Peace Ol'Dirty Bastard

yo thx - also kann nicht sagen, dass mich die Infos stören die es über INs gibt - ist ja egal woher sie sei bekommen - aber sollten schon stimmen!!!

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Was mich stört is das "hast du noch kontakt zu den anderen Clanmitgleidern?
- Hin und wieder schon"

naja klingt nicht allzu toll

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The Good Die Young And The Hard Die Best
Rest In Peace Ol'Dirty Bastard

	Zitat von D-Stroy
	auch wenn man hört raekwon wollt da ned warten usw...aber naja er wird wohl das dickere album haben wenn man den leuten glauben kann

Naja, Dreddy hat ja in den einem Interview Fishscale total schlecht geredet, obwohl es meiner Meinung nach ein hammer Album ist!
Aber mich würde es nicht stören, wenn er Raekwon bezüglich Recht hat.

BTW: Thx für die Interviews, das aus der Juice habe ich auch schon. Nettes Interview.

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My Soundclick-Page



formerly known as yoNAS

Generell finde ich das Ghostface sehr gelangweilt wirkt. Trotzdem danke für die Interviews.

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yo beim letzten hat er fast nie mehr als einen satz rausgekriegt

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Hier gehts zum Interview...





Wenn die Klügeren immer nachgeben, regieren die Dummen die Welt!!!

antworten sind überraschend kurz...verwundert mich

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